Date of Publication: Serialized 1976-1978 Biggu Komikku, Shogakkan (my edition: 2010, Vertical, Inc.)
Number of Pages: 582
Synopsis (from Amazon.com): During a boyhood excursion to one of the southern archipelagos near Okinawa, Yuki barely survived exposure to a poison gas stored at a foreign military facility. The leakage annihilated all of the island’s inhabitants but was promptly covered up by the authorities, leaving Yuki as an unacknowledged witness–one whose sense of right and wrong, however, the potent nerve agent managed to obliterate.
Now, fifteen years later, Yuki is a social climber of Balzacian proportions, infiltrating the worlds of finance and politics by day while brutally murdering children and women by night–perversely using his Kabuki-honed skills as a female impersonator to pass himself off as the women he’s killed. His drive, however, will not be satiated with a promotion here and a rape there. Michio Yuki has a far more ominous objective: obtaining MW, the ultimate weapon that spared his life but robbed him of all conscience.
There are only two men with any hope of stopping him: one, a brilliant public prosecutor who struggles to build a case against the psychopath; the other, a tormented Catholic priest, Iwao Garai, who shares Yuki’s past–and frequently his bed.
Review: Osamu Tezuka is often referred to as “the godfather of manga”, and his prolific career lasted decades and includes some very familiar titles, such as Astro Boy, Metropolis, and Black Jack. For the most part, his stories feature friendly and somewhat goofy characters, but MW is very different. The story is dark and disturbing, with no real hero to be found. But Tezuka manages to make even the psychotic and sadistic Yuki seem tragic and wronged, as if none of his crimes are his fault but are instead the result of events outside his control. At one point, I even found myself rooting for Yuki, as he struggled to find out who was responsible for covering up the MW leak.
Tezuka weaves many themes through his story and tackles difficult subjects: the involvement of the United States in Japan, the acceptability of homosexuality, and the pressures of the business world. For those unfamiliar with manga, MW is a great place to start as it tells a compelling story through Tezuka’s amazing artwork, deep character development, and even a delightful yet sinister twist at the end. Overall, it’s a great read!